Are You Color Gel, or White Light?

For a while I imagined it was some regional feud, like that east-west hip hop thing in the 90’s. But it turns out to be another one of those trick questions. When to use each? It depends.

Lighting is critical, giving us both clarity and emotion. So let’s put the imaginary feud aside and give each its due:

When Neutral White Light Is Best:

- Accurate color rendering for objects
- Enhancing legibility of text
- Highlighting textures and craftsmanship
- Complying with conservation standards
- Supporting neutrality in scholarly displays

When Theatrical Color Gels Work:

- Creating mood, atmosphere, drama
- Evoking a time or place
- Supporting narrative immersion
- Differentiating spatial zones
- Drawing attention to a highlight

When Not to Use Each:

- Avoid gels where color accuracy or conservation is critical
- Avoid white light in immersive zones where atmosphere is key

Here’s the thing:

The imaginary feud is over! Also, it never started.

Great exhibition lighting blends science and story. We just have to know where each technique shines.

Warmly,
Jonathan

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MtM Word of the Day:

Color gel. A thin, transparent sheet of colored plastic set in front of a white light bulb to alter the light color. In museum lighting, gels can create mood, highlight objects, or simulate nature effects, all without altering the bulb itself.